Here is the score for my new musical composition, Mumbo Jumbo Maracas, a trio for Wiimote MIDI controller playing a custom MainStage patch, keytar, and maracas.Â I will be playing the Wiimote, with Arturo Vidich on keytar and Eric Mika on maracas.Â We will be playing the world premiere of the piece as part of the ITP NIME show on December 15.Â Details coming soon!
On Twitter this weekend:
cshirky: The New Yorker still runs cartoons of crazy people carrying placards. What do 25 y.o’s make of that? In their world, crazy people have blogs
8:07 AM Nov 15th
Photo by James Duncan Davidson.
I gave an updated version of the It’s Cool to be Flat talk at Ignite NYC last night.Â I created the presentation with Nicholas DiBiase of Hepnova, and gave a previous version of the talk at ITP30 Pecha Kucha.
1. Hi. IÊ¼m LS. I am a creative technologist, and masters student at ITP, the Interactive Telecommunications Program at NYU. I developed this talk with Nicholas DiBiase of HEPNOVA Multimedia, who gave a version at Phoenix Design Week last month. This is a manifesto. This is a provocation. ItÊ¼s cool to be flat. Cool like McLuhan. The world is flat. LetÊ¼s embrace it.
2. A specter is haunting the world of the web and visual design. The specter is the gratuitous use of gradients, drop shadows, and faux 3D. This slide is a Wall of Shame. Join me in a holy alliance to exorcise this specter.
3. Welcome to Wankery, Inc. 2.0. Reflections and gradients do not equal instant web 2.0. These visual artifacts are a cheap trompe lÊ¼oeil that dupes clients into paying more for ugly. This slide will be the death of me, one of us will have to go.
4. Design is not a dark art. Art for artÊ¼s sake has its place, but design for design sake forgets the user. As designers, we need to be comfortable with our craft, ItÊ¼s OK, really. Design is about function, not about showing off chops and gadgetry.
5. Design is compressed communication and not decoration. (seems obvious, but maybe those who proliferate gradients and reflections didnÊ¼t get the memo) Good design expresses a lot of information in a short amount of space or time.
6. Simplicity is key. Condense and clarify, it donÊ¼t clutter or complicate. Strip away the unwarranted and the unnecessary. Make positive use of negative space. Silence is negative space in time (pause)
7. Avoid pseudo 3-D effects and embrace flat. Work with rather than fight against with the nature of the 2-D media in which we work, be it print or a computer screen. Work with your constraints, and make use of other techniques, like bold color contrasts, interesting textures, and plenty of negative space,
8. LetÊ¼s rise up in a tidal wave of change to bring flat back to the interwebs. This is restoration, not revolution. Flatness has a long and proud tradition through history and across world cultures, from this Hokusai woodblock print, to Western modern art.
9. From the Ancient Greeks to the Pacific Northwest Indians, flat art is internationally awesome. Artisans and craftspeople have worked with the constraints of the media and materials, and made effective use of bold lines and color contrasts.
10. In the Western Modern art tradition, artists like Mondrian, Matisse, and Kandinsky embraced the flatness of their canvases, through minimal, flat forms, their paintings are in a way, low resolution, high contrast A provocative challenge against the hegemony of traditional perspective.
11. Two more examples. LichtensteinÊ¼s work is comic book flat, while Calder is seriously simple. Lichtenstein makes the mechanics of the flat page a central element While Calder uses the intensity of his color contrast to take flat reductionism to an emotional extreme.
12. From cartoons to gallery walls. Ren & Stimpy to Murakami. Flat is back to the forefront of pop culture. Flat knows no distinction between the high and the low. MurakamiÊ¼s superflat explores the superficiality of pop culture, but only the shallow know themselves, so thatÊ¼s ok. *Thanks Oscar Wilde.
13. Visual and web designers can take some cues from the modernist architects. A simple ABC from Alvar Aaalto to the Bauhaus to Le Corbusier. Strip away the frivolous And cleanse the degenerate decadence of digital rococo that is rotting away the soul of the internet.
14. LetÊ¼s take it to the bridge with a musical analogy. Hair rock vs. Punk Rock. We want to be punk. Do you want to contort yourself around a polytonal 11th chord with sus 4 flat 2? Or do you want to play a punk rock power chord? Think about it?
15. Here are some memorable and versatile â€œflatâ€ logos. IBM lconveys the timelessness of Big Blue Chanel takes simplicity and turns it into elegant luxury Ubuntu conveys its values of community and sharing
BP is sinister greenwashing, but aesthetically brilliant And the Wu Tang, is Wu Tang
16. The formula is simple. FLAT is function over ornament. Get rid of the excessive. Elegance is not ornament. The slide speaks for itself. Reflections are the worst kind of vanity.
17. Design is about conveying your values and your vibes. Even without gradients, drop shadows and reflections, you can communicate with bold use of color, line, and contrast. Say more with less.
18. FLAT builds character. Hello Kitty is just a few lines and dots. She doesnÊ¼t even have a mouth, but she is part of a multimillion $$ global empire Their simplicity means that they are accessible and universal, we can project our own meanings onto these characters. These 2 guys below are ODI and AMO, two characters I created last year.
19. This is a challenge to embrace the values of Flatness. This is the DAO of FLAT. ItÊ¼s COOL to be FLAT. Be bold, be iconic, make a statement. LetÊ¼s return to the values of simplicity and clarity in design.
Want to philosophize about flat? Or just tell me that IÊ¼m wack? Find me on the interwebs at LEESEAN.net or @leesean on Twitter. Thank you!
Here’s a photo by Carlo Demarchis of me presenting last night: